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Eklenme Tarihi:
\n\n 27 Temmuz 2026 09:48<\/time>- G\u00fcncelleme Tarihi:
\n\n 27 Temmuz 2026 10:00<\/time><\/div> \n <\/div>\n <\/div> \n\n\t \n\n
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Sanat tarih\u00e7isi Ay\u015fe Nur Ta\u015fdelen\u2019in haz\u0131rlad\u0131\u011f\u0131 bilimsel \u00e7al\u0131\u015fma, Konya\u2019daki Sel\u00e7uklu, Beylikler ve Osmanl\u0131 d\u00f6nemine ait yap\u0131larda bulunan 1.827 g\u00fclbeze\u011fi kay\u0131t alt\u0131na alarak kentin ta\u015f s\u00fcsleme miras\u0131na \u00f6nemli bir kaynak kazand\u0131rd\u0131.<\/div>
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Konya'n\u0131n tarihi cami, medrese, t\u00fcrbe ve \u00e7e\u015fmelerini s\u00fcsleyen y\u00fczlerce y\u0131ll\u0131k g\u00fclbezekler, kapsaml\u0131 bir bilimsel ara\u015ft\u0131rmayla kay\u0131t alt\u0131na al\u0131nd\u0131. Sel\u00e7ukludan Osmanl\u0131'ya uzanan s\u00fcre\u00e7te ta\u015f ve mermer \u00fczerine i\u015flenen bu motifler, yaln\u0131zca mimariyi tamamlayan s\u00fcsleme unsurlar\u0131 de\u011fil, ayn\u0131 zamanda d\u00f6nemlerin sanat anlay\u0131\u015f\u0131n\u0131 ve estetik birikimini yans\u0131tan \u00f6nemli k\u00fclt\u00fcrel miras \u00f6geleri olarak \u00f6ne \u00e7\u0131k\u0131yor.<\/div>\r\n\r\n
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Sanat tarih\u00e7isi Ay\u015fe Nur Ta\u015fdelen taraf\u0131ndan haz\u0131rlanan \"Konya T\u00fcrk Devri Yap\u0131lar\u0131nda Bulunan G\u00fclbezekler\" ba\u015fl\u0131kl\u0131 y\u00fcksek lisans tezinde, Konya merkez ve il\u00e7elerinde yer alan 43 T\u00fcrk devri yap\u0131s\u0131 incelendi. Dr. \u00d6\u011fr. \u00dcyesi \u015e\u00fckr\u00fc Dursun dan\u0131\u015fmanl\u0131\u011f\u0131nda y\u00fcr\u00fct\u00fclen ara\u015ft\u0131rmada, ta\u015f ve mermer \u00fczerine i\u015flenmi\u015f 1.827 g\u00fclbezek tespit edilerek belgelenirken, motiflerin yap\u0131 i\u00e7indeki konumu, kompozisyon \u00f6zellikleri ve uygulama teknikleri ayr\u0131nt\u0131l\u0131 \u015fekilde de\u011ferlendirildi.<\/div>\r\n\r\n
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Saha \u00e7al\u0131\u015fmalar\u0131yla desteklenen ara\u015ft\u0131rmada her bir g\u00fclbeze\u011fin yap\u0131 i\u00e7erisindeki konumu, malzemesi, i\u015f\u00e7ilik \u00f6zellikleri ve kompozisyonu ayr\u0131nt\u0131l\u0131 olarak incelendi. \u00c7al\u0131\u015fmada ayr\u0131ca g\u00fclbezekler; bitkisel, geometrik, karma ve yaz\u0131l\u0131 kompozisyonlar \u015feklinde s\u0131n\u0131fland\u0131r\u0131larak T\u00fcrk s\u00fcsleme sanat\u0131ndaki geli\u015fimleri de\u011ferlendirildi.<\/div>\r\n\r\n
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Ta\u015fdelen'in haz\u0131rlad\u0131\u011f\u0131 \u00e7al\u0131\u015fma, Konya'n\u0131n tarihi yap\u0131lar\u0131nda \u00e7o\u011fu zaman fark edilmeyen ancak mimariyi tamamlayan g\u00fclbezeklerin yaln\u0131zca s\u00fcsleme unsuru olmad\u0131\u011f\u0131n\u0131, ayn\u0131 zamanda T\u00fcrk ta\u015f i\u015f\u00e7ili\u011finin estetik anlay\u0131\u015f\u0131n\u0131 ve sanat gelene\u011fini yans\u0131tan \u00f6nemli k\u00fclt\u00fcr varl\u0131klar\u0131 oldu\u011funu ortaya koyuyor.<\/div>\r\n\r\n